S41 archive film · FNCS Major 2 era · The Override (S42) film room opens with the season's first events
ELITE film room · free and public · no sign-in · breakdowns run in the Elite Arena Discord
ELITE VOD REVIEW
Where you are

Film School

You are in Film School. Everything on this page reads top to bottom; there is nothing to unlock and no order you have to follow.

Every room is listed on Film Rooms. The four guided tools — Drop Dossiers, Gameplans, Surge Desk and Compare — are views of the FNCS Major 2 room, built from S41 archive film.
Four lessons · about ten minutes

How to actually review film

Watching a pro play shows you the outcome. Watching what they decided, next to what you decided, shows you the gap. Here is the loop.

1 · Watch the stops, not the kills

Kills are the highlight; stops are the strategy. Open any film page and hide every layer except Stops. What you are left with is the shape of the game: where they committed time, and where they refused to. A player who takes 40 seconds in one building and never stops again has told you their whole plan.

Try it: open XSET veno5x’s film — 35 eliminations across 12 Grand Finals games, the most in the featured set — turn off Route and Elims, and read only the circles. All twelve player films are indexed on Gameplans.

2 · Ask what the storm made them do

Turn the Storm layer on and scrub to each circle call. Good players are already moving before the circle is announced; they position for the next one. Watch how early the rotation starts relative to the shrink. That gap — between when the zone appears and when they move — is the single most copyable habit in the game.

Try it: Gameplans labels 18 of the 200 measured plans pre-positioner — already inside the next circle before the shrink starts — and every one of them links the film that shows it.

3 · Compare two answers to the same question

Two players landing the same spot in the same game made different choices. Open both in Compare mode, put them on the same clock, and find the first moment their routes diverge. One of them was right. Work out why — usually it is information: one knew the spot was contested and one did not.

Try it: Compare puts two players on one clock, and Contested landings lists the 341 times two teams touched down inside 80 m of each other in these Finals — the same question, asked at the drop.

4 · Now do it to yourself

The point of film is not admiration, it is contrast. Take one habit you saw — a rotation timing, a stop length, a refusal to contest — and play three games consciously copying it. Then look at your own results. That is the whole loop, and it is the loop every traditional sport has run for fifty years.

What this tool does not do yet. It cannot show your own games — replay parsing for members is not open. It cannot tell you what someone was holding, or when they healed. It shows where everyone was, what they were doing, and when they died. That is enough to review a game properly.